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8 January 1836 – 25 June 1912. Most renowned painters.

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Antonio Carvalho de Silva Porto
Still Life with small statue of Pedro I of Brazil

ID: 96568

Antonio Carvalho de Silva Porto Still Life with small statue of Pedro I of Brazil
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Antonio Carvalho de Silva Porto Still Life with small statue of Pedro I of Brazil


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Antonio Carvalho de Silva Porto

(Porto, 11 November 1850 - Porto, 11 June 1893) was a Portuguese naturalist painter. Born in Porto, he studied there under João Antenio Correia and T. Furtado, then continued his studies in Paris and Rome. While in Paris he exhibited his work in the Salon and in the World´s Fair of 1878. In Paris, he studied with his friend João Marques de Oliveira, where they were pupils of Adolphe Yvon and Alexandre Cabanel. They became followers of the naturalist Barbizon School, and brought the new school of painting to Portugal, when they returned in 1879. Silva Porto become one of the most acclaimed naturalist painters of his generation, showing the heritage of Jean-Baptiste Camille Corot and Charles-François Daubigny. Secondary effects from impressionism can sometimes be found in his paintings.   Related Paintings of Antonio Carvalho de Silva Porto :. | Material and Dimensions | Still life floral, all kinds of reality flowers oil painting 240 | Dante Alighieri | Jephthah's Sacrifice | The Holy Family obn a working Day (mk45) |
Related Artists:
Francesco Peluso
Italian, 19th century
constant troyon
French Barbizon School Painter, 1810-1865 Troyon's students included Evariste-Vital Luminais. French painter. He was brought up among the Sevres ceramics workers and received his first lessons in drawing and painting from Denis-Desire Riocreux (1791-1872), a porcelain painter who was one of the founders of the Musee National de Ceramique. Troyon began his career as a painter at the Sevres factory while also studying landscape painting in his spare time.
Henry Mark Anthony
(4 August 1817 - 1 December 1886) was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the en plein air style of painting to Britain.






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